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It's just built into what I wanted to do in creating the show.
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How do you maintain a balance, so that it's not weighted towards one side or the other? You're showing both sides of the law here. So, you might be in that office or that division for a while and move up. There's nine or so different divisions within that office, I don't know the exact number, but somewhere in that range. So you might start off in general crimes, which is where we are now, but then you might go to organized crime or to fraud.
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Attorney's office, which is much bigger than the Federal Public Defender's office, although you don't necessarily know that from this show, but it is, in fact, quite a bit larger and there's a lot more division.
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So, they may go work for some firm in New York and then come back and be the Head of the Criminal Division or maybe, ultimately, the U.S. Then not infrequently, they'll come back into the office at a higher level. They might work for 4 or 5 years and then they go into private practice. As an overall rule in that office, people tend to circulate in and out a little bit more. So, some people leave after a couple of years, or some after 10 years, just like any job, but there are certainly people that stay in those jobs for decades. You can become a supervisor in that office, or ultimately become like Jill is, the actual head of the Office of Federal Public Defender. I think people, as a rule, tend to stay in defender jobs a little bit longer and you can move up. Some people stay in these offices their whole careers. In my mind, I thought these positions the attorneys were taking were like internships, where they come in for a little while and then moved on, but they seem to be staying. That's a creative challenge, but overall, I look at it like, "Oh, this is a great opportunity to tell stories that we don't get to see as much."
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Other times, there's a story we want to tell and it's not necessarily a federal case, but we figure out how to do that. Any time you have an immigration case, an espionage case, or a terrorism case, those are federal crimes and they're in federal court for very apparent reasons. Most of them are in state court and, so, to me, even though it does sometimes pose a challenge, some cases are easy.
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There's a lot of great legal shows, obviously, that have been on TV for the last half century but that are not set in federal court. I hate to use the word limit because I just think of it much more as an opportunity to tell stories that you don't see in most legal shows. How key is the fact that it is set at the United States District Court for the Southern District of New York? Does it limit the kinds of cases that the lawyers can take because of the stature of that court?Ĭases are in federal court for a particular reason, such as they involve some kind of federal offense. But some episodes tend to be a little bit heavier or more emotional, and within those, we balance it out with some comedic elements. Just like we did last year to a certain extent, this year I want to alternate, covering high profile cases and really relevant cases - and in most episodes that's always true. I think it is actually both of those things in a funny way. The first two episodes felt as if the point of the season was to cover very high profile, very current cases, but then the third episode was more comedy relief with Seth trying to do everything he could to get a trial, which brings me to my question: What is your goal for the season? had the opportunity to speak with the series' creator, executive producer and show runner Paul William Davies to get the inside scoop on what we can look forward to in the upcoming episodes: On tonight's episode, Sandra and Ted must defend a teenage gamer whose online argument leads to a police raid, known as "swatting, that ends with the death of a United States senator, especially when Roger decides to charge the teenager to the fullest extent of the law.